Sunday, 6 August 2017

Reformed


I have two different memories of Tom Black. 

In early high school some days it seemed to rain like the apocalypse was upon us.  And in the grey skied aftermath we'd have to scuttle past gaping puddles in the pavement, clutching our folders with eager fingers.  On just such a day a friend and I were making for the canteen.  A group of older boys were loitering by a brick wall the way some boys do, with a gentle bantering "toughness".  One of them I faintly recognised, I thought, to be Tom Black. 

His reputation preceded him; his younger sister, a quasi-friend of mine from primary school, had tattled about his brawls, bad attitude and tertiary suspensions. 

In a moment that hung in my memory on puppeteers strings, three of the boys leapt.  They hung there, halfway to us, a little boisterous and a little menacing.  And then they fell.   Water sprayed in dirty cold arcs, up my legs and across cardboard shield of the folder that I hugged.  I was not certain what I'd expected from the boys. 

I can't recall whether my first reaction was accusation or embarrassment.  I'd like to think I glared in a holier-than-thou accusatory fashion and cowed the trouble makers into submission.  But I have to admit it was more likely that I merely ducked my head and felt needlessly embarrassed.    If I didn't do the latter immediately I certainly did after they started chortling at our expense. 

It was a number of months before I remember seeing the notorious Tom Black again.  Like many of his buddies he'd dropped out of school, tried to join the army I'm told.  He came skulking back to the school again with a crew cut and a pile of textbooks under his arm.  He had a pair of reading glasses and frowned as he deciphered exam papers.  In the library I sat with him for all manner of tests, carefully reading aloud the material and the questions and then watching him so seriously move his pen across the paper in response.  He was one of the ones who tried. 

I read aloud test papers or wrote down dictated answers for countless students in my junior years.   Some were despondent and spent most of the allotted time drawing pictures or staring defiantly out the windows.  I remember one such girl telling me curtly that Celtic was  pronounced with a hard "c" not a soft one.  Or maybe it’s the other way around.  My dictionary (which happens to be six inches thick not that that makes any difference) tells me both  are correct but people do have their foibles.  One boy I read for was the happiest I've ever seen though even at fourteen I was literally double his height.   He truly was a marvel with all the things he could do with just one stunted arm.  We chatted most of our time away but so long as he was okay with that.  The hardest I think were the students for whom English was far from a first language.  It didn't matter that I was a clear and careful speaker, the questions still skirted their understanding. 

But Tom, I don't know what the doctors and optometrists called it, probably that ambiguous title "dyslexia".  He read slowly because his brain had trouble rearranging the words on the page.  The glasses helped later but I think at first he just was frustrated with himself.  Teachers and the other kids might have looked at him and called him slow.  So why wouldn't he build up vicious defence mechanisms?  Get sent out of class so he didn't have to read aloud?

Tuesday, 7 February 2017

Chilly Challenges - 8 - Young Endeavour Voyage

6/2/2017

(written 7/2/ 0325)

Watches Kept:

  • 0000-0400 Middle Watch (a.k.a the Guts)

  • keeping warm on guts watch again
  • hammock built to sustain 21 youthies
  • I lectured on crochet
  • assaulted Kingston Beach
  • command day finished - handover and debrief
  • Jimmy (an egg version of our watch leader) jumped and did not make it
  • learnt astronavigation basics
How am I feeling?
Fatigue and cold really set in for the guts watch and continued as we weighed anchor at Kingston Beach.  

Command Day was challenging on so many bizarre front that on debrief and hindsight I can be really impressed at human perseverance and the necessity to keep learning and adapting as a team, thanks to increased multi-directional communication.

Morale was pretty low over the 24 hours but as with all challenges we've convinced ourselves that it was amazing and rewarding even if oftimes our mood swayed from hating cold to pessimism about seemingly pointless activities.  

Its proper wintry weather here now, exposed on the water.  Kingston Beaches lights cluster like fairies or fireflies on the shores in many directions.  

Storm Bay Command Day- 7 - Young Endeavour Voyage

5/2/2017

(written 0318 7/2/2017)

Watches Kept:

  • 0300-0400 Anchor watch

  • Rest up
  • Hand-over to youth crew (start 24h of youth command)
  • Retrieve command day instructions from Isle of Dead
  • Photo of everyone aloft
  • Chalk mural
  • woken up for tacks at 2100 and 2300
I decided waking up via swing into the Tasmanian sea was actually not the bet so I resisting urging to jump in.  

Up the mast an icy wind buffets us, chilling us, youth prepared for milder conditions.  It was a sign of what was to come.  As streaks of white foam painted lines across the increasing bay swell we held on for dear life.   Entering Storm Bay once more we reached rocky seas again.  

That was fine but on waking up for the first tack we found the rain was all too ready to soak our gear and at times the ship seemed like to throw us.  The frigid winds sapped my enthusiasm for the adventure although being responsible for calling the jib was a highlight.  Even with my breaking sleepy voice I directed the crew to heave it in against violent 30 kt winds with shouts of "2, 6, Heave!"


Saturday, 4 February 2017

Sunrise Dolphins and Sunset Ghosts -6- Young Endeavour Voyage

1747 4/2/2017

Watches Kept:

  • 0400-0800 Morning Watch
Sunrise behind the ship.  Photo credit: Sammie Costin

Unconsecrated church Port Arthur.  Photo Credit: Jimmy Potter
  • Talked about teamwork
  • Apples and Onions (Brought up Good and Not so Good things about people in our group)
  • elections for command day
  • demonstrational tacks (seeing how tacking works from the bridge)
  • Came in to Port Arthur
  • Ghost Tour
Preserved house Port Arthur.  Photo Credit: Jimmy Potter
How am I feeling?
Not scared by the ghost tour although the room in the parsonage was pretty creepy.  Great hot chocolate on return to the ship.  

Feeling pretty confident on the calls for setting (bringing out so you can sail) and furling (putting away) sails but I will inevitably make some mistake.  That's okay, I'm sure we'll all make mistakes.  

Land dizziness is crazy! (You get seasickness moving from land to sea and moving back the other way you start rocking back and forth on land.)

I chucked up my hand for sail master (I was getting pretty keen for it after demonstrational tacks) but Gus (a more experienced boater) got the vote.  I did get watch leader though.  It was disheartening to see the factions created by the watches (red, white and blue).  

A pod of large dolphins greeted us in the morning and some seals watched out adventure past Tasman island.  
Tasman Passage.  The seals were too shy to be photographed. Photo Credit: Jimmy Potter

Friday, 3 February 2017

Swimming in a Wineglass -5- Young Endeavour Voyage

2030 3/2/17

Watches Kept:

  • 1800-2000 Last Dog

  • Early morning swing off course yard
  • Then in to the beach
  • Climbed Dove Mountain to lookout
  • Weighed anchor about 1400
  • Will sail overnight
  • Massive nap
  • Dolphins


Swimming in Wineglass Bay before being ferried back to the ship. Guess which person is me.  Photo Credit: Jimmy Potter

How am I feeling?
Waking up to "Take a chance on me" was fantastic. 

Wineglass Bay was beautiful so I went for a swim up to the waist (still pretty cold) before coming back.  

Watched dolphins from the bowsprit - its so cool that every day they have come to see us and swim in the wave before the prow.  

Found a pink bruise over my eye; guessing I was elbowed while heaving in on the sheets (though I didn't notice at the time). 

Water was cool but not as icy as Lake Macquarie in winter.  

Contemplating positions for command day (when youth crew take control of the ship for 24h).  I like having a bit of responsibility but total decision making scares me a bit.  Still I'm thinking Sail Master (second-in-command), Navigator or Watch leader (manages one of the three watches (or groups) of deck hands whilst its their turn on watch).  I'd also be find to be a basic deckhand.

View of Wineglass Bay from the lookout.  Photo Credit: Jimmy Potter

Sailing made Easy -4- Young Endeavour Voyage

2/2/17
(written 2030 3/2/17)

Watches Kept:

  • anchor watch 0100-0200
  • 1600-1800 First Dog
  • anchor watch 2200-2300 (means uninterrupted sleep Yay!)

  • weighed anchor at St Helens point (i.e. pulled up the anchor to leave)
  • sailed to wineglass bay, manning the helm as we entered
  • watched film about Peking (fully rigged barque ship)
Photo from:
 https://www.amazon.com/Peking-Battles-Cape-Horn/dp/0930248066

How am I feeling? 
So tired by the time I got to bed. 

Setting the sails and climbing the masts in the morning was a good workout, stretched out all my muscles.  I did some stretching nearing sunset in wineglass which was much needed.  

The size and beating that the Peking took (in the film) was incredible.  

Climbed the tops'il yard (the middle one) to undo gaskets and it was stupidly easy after the high seas.  Helming in to wineglass was a huge highlight and the view of the whole coast was beautiful.  Sat on the bowsprit for a full hour, watching the other boats around us, including the "Enterprise", a smaller, tubbier tall ship.
I think this is by the entrance to Wineglass Bay.  Photo credit: Jimmy Potter

Wednesday, 1 February 2017

Beautiful Binalong -3- Young Endeavour Voyage

2200 1/2/17

Watches Kept:

  • prev. day 2000-0000 First Watch
  • 0800-1200 Morning Watch

  • sea-furled the course sail (tied it up)
  • shore trip to beautiful Binalong
  • 3-way chats
  • changed positions to near St Helens
Course yard is the lowest horizontal beam, but it has the biggest and heaviest square sail. Photo credit: Jimmy Potter
How am I feeling?
Great, the vibe on the ship is fantastic with no one sick now that we've reached the eastern side of Tassie.  

Our watch had the fastest speed/furthest distance travelled last night (29.9 nm or 7.5 kts the whole way).  

The crust of salt on my rain jacket after being left out on
 deck in Bass Strait.  I could never forget that it was salt water that
 was spraying across the ship.  It would dry on all surfaces into salt
and sting my face.  
Food is a great joy atm, the cook Marcos is fantastic (I was galleyhand yesterday and this morning).  Makes not being sick double worth it.  

Binalong was beautiful: turquoise water and fiery orange moss on the rocks and white-white sand.  The bay was called the Bay of Fires, which could have been due to the moss (but actually because there were fires blazing on the shore when the English decided to name it). Had a lovely mocha from the restaurant and sat in the sun on the beach.  The wind and swell had picked up by the return trip in the shore boat and I was splashed all over with salt.










Tuesday, 31 January 2017

Aloft in the dark and topsy turvy -2- Young Endeavour Voyage

1827 31/1/17

Watches Kept:
  • 0000-0400 Middle watch a.k.a. "the guts"
  • 1200-1600 Afternoon watch

  • Was watch leader for white
  • Undid gaskets on t'gallant s'il
  • learnt how to set square s'ils
  • 1st round of rope races
  • chef's assistant
Imogen and me, climbing in the dark.  Photo credit: Jimmy Potter

How am I feeling?
Still very glad I haven't succumbed to seasickness, however there were a few dizzy moments while idle below deck.  But right now the wind is still pushing us along quickly and the sun is shining so I'm happy.  Proud that I climbed to and undid the gaskets (the ropes holding the sail down) so high up on a tilting ship.  

The seasickers all lined up on the lee side of the deck and slept like the dead there.  They still look utterly hopeless.  The ones who didn't lie in the string of 5-8 people but sat up, staring silently at the horizon, were almost worse.  

Though of course the MOST exciting thing was undoing the gaskets on the t'gallant.  It was by far the scariest thing I've ever done.  

View of the deck from aloft.  Photo credit: Jimmy Potter

Monday, 30 January 2017

Getting under Sail -1- Young Endeavour Voyage

1830 30/1/17

  • No watches kept yet.  
  • Climbed to the topgallant (pronounced t'gallant)
  • Learnt calls ("White watch standby to set the main s'il") and tacking positions (heads'ils). 
  • Got the ship under sail- Yay!

The t'gallant is the top horizontal beam (horizontal beams are called yards). The heads'ils are those at the front of the ship.  You can see one of them (the jib in fact) flapping in the foreground here.  Photo credit: Jimmy Potter
How am I feeling?
At this point I'm glad to be under sail.
Can't help my awe at the size of the sails.
Very glad not to be seasick.
We're on a pretty steady 15 degree keel, bobbing over the swell and its pretty comfortable until you're under the ship and trying to eat dinner or put on a harness.
We can see Victoria on the left (port side) and are on a starboard tack through/across bass strait from Port Phillip Bay.

The ripples and smooth whirlpools of THE RIP out of Port Phillip Bay were quite spectacular.

We got the entire Youth Crew on to haul on the jib sheet (i.e. a rope connected to the jib sail).  At the same time as 17 people were trying to pull on one rope the ship tilted towards them.  I rescued two drink bottles that made the leap for the sea.

Sunday, 18 October 2015

You Know You Love Me xoxo

When did the world turn into the set of Gossip Girl?  When did my life get tossed in the air like a giant Blair Waldorf salad?  And the jokes on me because I'm the latecomer, party-pooper, girl who takes three months to make up her mind.  Yeah I'm that girl.  The fool girl who puts her foot in it.

And the crux of the matter is this:

I kissed a guy only to find out he's sleeping with my best friend.  

Yeah ouch.
Actually ouch doesn't really cover it.  There's a gif somewhere on the internet of some actor literally pulling bunches of hair from their head in a purple rage that just about describes how it feels.  And did I mention that this mess has got to be all my fault?

So this is me: some blue-eyed damsel, pretty new to the world, so naive she probably should have been put in a convent years ago for her own protection.

And then there's my best friend: a golden locked Rapunzel living up on the fourth floor of a city tower.

And then there's the other best friend- the guy: a tall Robin Hood with a laptop but no good intentions.

The three of us were the closest of close: to the point where personal space doesn't really exist and who cares if you're wearing clothes or not right?

That was until shit hit the fan.

One rowdy Thursday evening me, eyes wide, walked in on my two best friends kissing.  I thought the honey-coloured drinks had gotten to their heads.  I went home.  Little did I know what my friends were up to without me.

The next day I bounced into Rapunzel's tower at midday to find two sleepy, hungover friends - one of them a shirtless Robin Hood.  Nothing of course was thought of it, especially when Rapunzel looked me in the eye and said everything between her and Robin Hood was normal.   And I, naive little chickadee that I am, sat on Rapunzel's bed and ate lunch with them like all was hunky dory.

And there was nothing weird about Robin Hood giving me a lift home after lunch.  Nothing weird about the way he pulled the passenger seat back all the way so that sitting behind me he could wrap his arms around me and whisper in my ear...

Yeah everything was normal... sort of... in the way where everything is abnormal instead.

A couple of friendly meetings later it became time for another small gathering involving that golden liquid: alcohol.  It was a rowdy Wednesday this time and poor little me had had enough of alcohol for a while.  I decided to bus it in and out for a brief rendezvous.   And guess what happened after I left the tower?

So as it happens I once again bounced into the tower the next day completely unawares.  It was afternoon tea time with two hungover friends and another shirtless Robin Hood.  Life as normal right?  Again I sat on that bed with the two of them.   Eating, talking, laughing.  I don't know how I'm so dim.

Now I may be dim at this stuff but I do pretty well at university.   So when Friday brought about another planned drinking event I passed in favour of passing university and finishing an assignment.  Two drunk individuals did in fact go however, out to the back woods of the city.  And afterwards they stumbled back to Robin Hood's hideout under the stars.  I think we know what happened next.

The following night I put on my best and most foolish pinafore and ventured into the back woods myself.  It was a night that was planning to be just me, Robin Hood and a gaggle of distinguished friends.  Though the golden liquor ran quickly the whole night I steered clear once again, preferring the company of better friends.  Notably Robin Hood did the same.

At this point in time I still valued friendship - believed it and trusted in it.  So when it got late I followed Robin Hood to his hideout under those same pretty stars.  I could say I was starry-eyed: surely there is no other explanation for the foolishness that followed.  We were so close.   Think of the closest you've ever been to someone without kissing them and then subtract ten centimeters.  So I kissed him.  Why ever not, I thought, and did it without regrets.

In that exact same spot.

I was so utterly oblivious that the other shoe was about to drop- with a spiked steel toe.

It didn't take long.  Not twelve hours later Rapunzel confesses all that has occurred and my stomach drops.  I should have known.  Why trust anyone when they'll obviously just let you down?

Now I'm stuck under Gossip Gil's thumb in a situation like a damn Celtic knot with thorns.   What am I going to do with myself?

When in Rome I guess...
I shall have to learn from the Blair Bitch herself.
I'll close this window and start my scheming.
Robin Hood
you'll be the first to go

xoxo
Gossip Girl

Monday, 1 December 2014

The Girls in Brisbane

Some shorter and longer anecdotes from our trip to Brisbane:

 Sunday.  No appetite but navigating Brissy seems Sinch.  Warm day, bed and book- just perfect :)


Monday.  Lounging in deck chairs surrounded by that humid spring heat watching the rainbow playground clamber over the soft fall.  Fake beach a solid mirage amidst the city.  Skyline BRISBANE Skyline.  Yummy all day breakfast omelette 7.50.  Thongs digging into my feet.  :D ^.^ :P


Tuesday.  Getting lost in the car. Griffith uni.  City cat 33 degrees, 3 hours, putting me to sleep.  Appetite :) kebab $4 at West End


Wednesday.  The queen street mall and we're hummingbird shopping. Our eyes flit from store to store and we walking but never stopping.  Aromas of at least seven kingdoms in a marvelous food market- a bubbling yummy concoction that's too hot to touch.  

South bank is just as lesuirely as always; like a cool breath upon a harried soul.  Even though my feet feel like over grilled fish we meander through QAG(the art gallery) until my eyes are permanently wide and my elbow are getting cold from the air conditioning.  At night we experience some night life on boundary street at the beach burrito.  Warm air and frozen margaritas, that's the life.


Thursday.

Busy streets, to a gigantum Moreton Bay, whipped green toilet water rising beach less towards us in the most disturbing fashion.  A cute water park; slides and mushrooms. 


Hell in circles past Roma Street and all I wanted to do was get out and take a picture of the spectacular blue storm clouds behind the sky scrapers and cathedrals.  Unnatural as though it was trying to pass for a cloudless sky to those city dwellers so focused on their work.  And still it was dark as though you could fall through it into some new dimension.  Stuck yet as the rain begins on the right side of the river traffic jams hard, all the cogs locked into stasis.  An object slams my window and turning I watch splinters of white dart away.  The size of my fist shattering a second time on the black road.  White ice.  A rageful motorist launching their fury off the bridge above at me.  Or not I find mere minutes later.

Smashing onto my side of the car is everything mother nature can throw.  Fist sized balls of ice sound like viking hammers.  Thrashing trees and twigs thwack the windscreen.  Rain sloshes and splashes on every side. Stuck still.  Red brake lights sneer at me through a wall of Grey and we might as well be stuck in a cyclone.  A tiny tin car, fragile glass windows just being hammered by divine fury.  Please don't break.  Please don't break.  Please.  Its not like I can hear anything over the storm.  Can't go forwards, can't go backwards, no way to go around.  My sister almost two in the backseat awoke in terror.  I masked my panic and helplessness with those reassuring adult smiles that lie and lie and lie.  There was nothing more to do.

Like countless others even as the storm eased we were blown off course, battered driftwood far from home.  You're always told: "Don't drive through floodwaters" but we had nowhere else to go.  In my mind I replayed images of dirty rvers in the road just like that one about those cars that rose u predictably.  A branch like that once carried on the flood or one larger, dangerous half a tree swept down to pummel the exhausted refugees.  Finally, tsunami, flood or cyclone I used to watch cars picked up like toy boats sickenly turning upon their side, or drowned under in waters to unknowable to fear.    The fuel light again shone.  My eyes were skewered when I glanced right, the shattered shards of the plastic window guard crushed beneath its onslaught.

Perhaps chaos could describe what we saw through the dropping rain.  The trees had to have been  savaged to provide such a litter along the streets.   A tin shed and a corrigated patio- one slumped exhausted on the path and the second a twisted traffic stop.  But over the panic that fluttered every heart - why what had occured- a steely layer of boredom grew at the unmoved tail lights before me.  Stuck somewhere new but stuck fast, not even the rain left to convince you that peak hour requires patience.

Is there anything that can make you feel better after such an experience?  Strangely the devastation around us.  We pass into a new street and there a typical two storey hotel faces mournfully south.  The top floor windows smashed right in.  One two three four five six.  Busted blank holes.  And its not the only one. We pick them here there and everywhere, glass joining the leaves upon the street.


To the north the clouds are angelic.  The fluff and catch the last of the sun, rimming a perfect blue.  A tease.  Then south that steel grey sheeted the sky still in warning.  Go home it screamed while you can.

Then.  Blackout across eighty two thousand homes.  The city still burns over the river, painting the night sky red.  Top side of the street well light, packed with hungry people with no way to cook for themselves. And then like a slammed door across the bustling footpath the lights stop.   Supreme darkness has taken the lower end.   There you just glimpse the writhing of bodies.  In the dark they move the same as us.  But it is inky there and so we turn back.  These traffic lights are on, shiny green.  Yah, go!

Tuesday, 7 October 2014

The Frankenstein Connection: stating obvious of a Comparitive Study

So I've been told that I don't address "form" in my essays. Well here is what I DO know about the difference in form between Frankenstein and Blade Runner.

 It's as simple as this: Frankenstein is a BOOK/ novel/ prose fiction narrative (or however you want to phrase it).  That means that its lots of writing, it isn't poetry and HEADS UP! they didn't have movies in the 18-whenevers (the exact date of which I should look up so that I don't sound this ignorant in my exam).*

So apart from that uber-obvious observation its also written like of collection of letters- which in academic speech in called EPISTOLARY form.

 Why would anyone do something like this? Well not only was Ms Mary Shelly was writing before film, when novels were novel and women writing them was even more so BUT she also knew that "form" would effect the way we think about was she is trying to say.

 Lets examine the effects: because its a book we get lots of detail, lots of language techniques and since good things come in threes lots of references to *cough, cough* important literature. I could evidence these from all through the book but my favourites are these: "the glorious presence chamber of imperial nature" which uses personification and grand connotational adjectives. "they consisted of Paradise Lost, a volume of Plutarch's Lives and the Sorrows of Werter" where Shelly inserts some books that were really popular at the time into the monster's hands through a random "leather portmanteau" left on the ground. And my favourite of all is that Walton and Frankenstein's plots are parallel with the tragedy of the Ancient Mariner- from a contemporary poem in 1818- and Shelly points it out- "to the "land of mist and snow" but I will kill no albatross."

Now epistolary form (for me, anyway) emphasises the importance of family. Like Walton's whole premise for writing his journey down is to send the account to his sister, even though he is primarily alone and cut off from all family. "Farwell my dear, excellent Margaret." Frankenstein's family likewise reaches out to him through the letters he relates, particularly Elizabeth's after his sickness in Inglostadt. "My Dearest cousin, You have been ill, very ill, and even the constant letters of dear kind Henry are not sufficent to reassure me on your account."

Okay now lets look at Blade Runner which is a MOVIE/ film /hollywood blockbuster. That means that its made up of moving pictures, soundtrack and dialogue, visual symbols and mise en scene a word which here refers to the fact that Ridley Scott packed the set full of rubbish (pun intended). So yah! lots of techniques entirely unrelated to books and barely related to words.


So the other "form" things worth mentioning in Blade Runner are related to genre. Neo-noir (literally new black, ironically enough) which is a resurgence of 40's dark detective film styles constantly used in Blade Runner- have look at Deckard's dress and character, or the lighting used Leo's first scene. Scifi- which is mainly in the dystopian future context and the casting of Deckard (Hans Solo anyone?).

You can probably tell that Blade Runner is not my favourite movie but I will give that its COMPLEX. That's all I have to say.

 HP out.


* sorry about that- Mary Shelley first published Frankenstein in 1818.

Tuesday, 9 September 2014

Where does the classroom belong?

Once upon a time, in a far away land known as junior high school I belonged at the head of the class. Every word that fell from my mouth was a golden apple, every stroke of my pen perfection.   That was before the glass ceiling was installed by the board.

Although looking straight up all that was visible was the epic blue sky, I would glance edgeways and glimpse the true surroundings.  A mesh of greasy metal was creeping up the walls, leaving soot across the carpet.  Gears clicked and grinded their teeth, wires snapped and buzzed and the ceiling began to sink slowly.  

Three grey clouds drifted across our fenstration to the sky.  Depression rained from the first, death from the second and failure from the third.  The patter of the rain's lonesome hands on the ceiling awoke the class from their slumber.   You could see each member lower their head from the sky and stretch.  Each one stared around them in shock, taking in the horror of their new surrounds.  Eyes were rubbed and arms pinched. They lifted their shoes with little sucking noises from the slush of medieval and industrial sludge that had quietly slunk under the door.  The empty space had been filled with the twisted hulks of metal animals, clinging to the chair legs and tables with their claws.

The light had faded amid the rain and we all noticed how close the ceiling had gotten to our heads.   Confusion changed to anger.  Voices raised and fists began to pound upon the glass.   "I don't want to be here" "I hate this," "What did I do wrong?" "Why, why, why?" "Where are you?"  They began to scream although no one could hear them.  

One boy was separate from all the rest.  He was crouched beside a metal beast, so close that his nose brushed the monster's snout.  He stared deep into its glowing red eyes without fear.  The others weren't watching but if they had have they would have seen his watery blue eyes become infected. The rims at first grew redder like he was about to cry.  Then the veins in his eyeballs turned scarlett creeping in to devour the black pit of his pupil.  The beast's dried out skeleton, robotic and half-dead passed its malevolent spark onto the unwary boy, manifesting in the brilliant crimson eyes that looked at the world through a film of blood. 

 The others had worked themselves into a frenzy against the people that kept them there and began to yell more and more illegibly.  The ceiling sunk further.  The sludge rose to clasp their calves.   The boy with the red eyes began to laugh, a sound at once like a tractor and a church bell.  Now it was the machines' turn to awaken.  They yawned in the closing space and began to reach out their fingers to the students, one by one.  

 The slowest was another boy, lanky like a bean sprout, who within seconds had two demon machines with glowing eyes clutching both his legs.  The lanky boy gathered all the paper he could into a bundle and whacked it against the monsters, uselessly.  The others had enough time to chuck him their own paper but even that wasn't enough.  

The girls were huddled on their tables banging their heads against the glass.  They were sure there was sunshine out there.  Some days there were clouds and some days there were none- if only they could escape this mysterious hell they'd found themselves in.   Every inch of effort was put into the glass without a single crack.  Each received a pounding headache and the glass was as firm as a brick wall.  They were all doomed to die where they crouched.

The metal monsters saw their advantage and grasped each child, pulling them down, down, down into the depths of literary history.  Heads arced in the exquisite pain near death, gasping against the toxic sludge for any wisp of oxygen left in their air conditioned classroom.   The red eyed clock on the wall clicked to midnight.

The boy with the red eyes stood suddenly, startling all the beasts, his fist crashing through the glass ceiling, splintering shards like nails into the bodies of his afflicted classmates.  

What should have then happened is thus:  The clouds cleared above their window and the red-eyed boy was lifted like a marionette from the room.  Each student then began to rise, pulled from above out of the sludge.  The metal hands cringed from the light, hiding in the cupboards and cornices where they belonged.  

 But this is really what happened:  The rain had built up upon the ceiling gushed down in a grey tumble of depression, death and failure.  It stole all semblance of breath from the lips of the students and their once-struggling heads disappeared below the dusty water.  

 The red eyed boy who stood in the centre turned to stone with each drop of water that touched him.  A single rubric floated by on the waters.   "An engaging piece..." it dissolved back into the water.

The stone boy over many months grew metal upon his limbs, but he stayed forever looking at the sky.
 And me?  I only belong among the sludge at the bottom of the classroom muck, a slab of rusted metal masking half my face, directing my movements into jerky, ungraceful motions.  The mud of centuries has clustered around me so tightly that I can no longer see the sky that I so wanted to reach. Is this truly our path to freedom?

Friday, 7 March 2014

Inspiring Change: 2014 International Women's Day Breakfast

Is there a story that comes close to your heart? One that when spoken aloud inspires a flame of hope and wonder that will never die?

What about Julia becoming the first female prime minister in Australia; Or Quentin, first female governor general or Catherine Hamlin an Australian obstetrician who started a hospital in Ethiopia for women suffering after childbirth.

Can you guess which story would be closest to my heart? A seventeen year old in Year 12 at _____ High School?

Right at this very moment it’s a twenty dollar note.
If we view this as a symbol woes of everyday life then it’s a common misstep to keep this note close to your heart. To let life make you forget to care for others. To care for the fate of Ethiopian women.

Obviously this doesn't have to be the case. So lets stop looking at this as a symbol: forget what its monetary value happens to be.

It's made of polymer, its red and it has pictures on it. There's a woman. Who is she? How many times have you seen this note and been completely unaware of this story?

Let me take you back in time to the England of 1790 where a girl called Mary Haydock was working for a living in a grammar school. She was thirteen years old and this was the industrial revolution. Eight years ago Mary's parents had died leaving her an orphan without a family.

Even at this age though she was smart. She devised a plan of escape from her servitude. She didn't just waltz out through the gates. She dressed herself as a boy and took on the alias of James Barrow. Disguised thus she escaped the school forever.

Unfortunately, James was captured with a stolen horse and sentenced to death. Our young hero's story would have been forgotten if he'd been hung that day. Instead good fortune looked upon the young boy who was sent to the colony of New South Wales as a convict instead.

Shortly before departure the authorities finally realised that James was female and Mary came to Australia under her original name.

In Australia Mary, grew up, married a young fellow named Thomas Reibey, got his surname and they lived happily ever after. *sigh* I wish. But the world didn't work like that back then; Thomas died just forty-two years old.

Together they had bought a farm and started a shipping line. Now a widow Mary raised their seven children, expanded the shipping business, started investing in real estate across sydney, opened a shop in the rocks and generally went about being a successful business woman.

They say that's why she's on the twenty dollar note. Because she was Australia's first business woman. But I believe it is her whole tremendous story means she deserves to be here.

I've always loved her story: one of cleverness, of daring and resilience. I hope I have learnt these from Mary, my great great great great great great grandmother. You see her story is close to my heart figuratively and literally.

Now you know Mary's story too.  So each time you open your wallet you can think about Mary, the orphan who worked for a living or James the runaway horse thief who nearly hanged or about M. Reibey, Australia's first business woman and her legacy which still shines in our lives today.


Thursday, 27 February 2014

Gasping for Breath; for Top Marks

Breathing metaphorically, I feel as though my mind palace is shoved full of things, half squished and cramped up to fit, so that each individual idea is bent beyond recognition. Like so much useless chatter I feel word after word get stuck between my ears in an opaque mess of thought. Question marks, black and red, are scrawled in front of me, hanging from every neuron, so that when I sit at a desk I cannot even see the board in front of me though I push my glasses higher.
Where before I struggled to find something I couldn't ace; these past weeks I just don't know. I can't recall what I know, I’ve forgotten what I’m supposed to know and I have no idea what I don't know. Knowledge flees from me as from a burning building. I stare agape as the numbers peel from the page and jig before me in a parody of my dreams.

No sooner have I half figured out a concept, barely had the breath to ask why!?- than the next giant theory is upon me, with half grasped rules. Finish this, finish that, you've got homework to do if you don't. They pile up so that my future is booked to the moon with the things I should have done yesterday. I can barely unstick my mind from its present hurried task to contemplate finding real understanding by revision and study.

If only I had a pet dragon to yell out, "I don't understand!" in order to slow the runaway train that is our maths lessons.

The class' understanding is reminiscent already of the train wreck that our exams will surely be. Our blood will run like sweat as we hunch nervous over the paper and strings of invisible algebra will drift over the hall like motes of dust in the sunlight, called pi, Greek, xylophone and Euler. Stares will blankly examine the log that is now a table before the clocks flies to 2. Mark my numbers this is a torturous blind fold of confusion soaked in chloroform.




Save me before I drown.

Thursday, 19 December 2013

A Movie of Bones

We watched the City of Bones as a family and I talked so much that mum was seriously contemplating gagging me. Many things were wrong with it, I can barely list them all but here's the first:

1. Valentine should have blonde hair
I saw one of those cute photos of Valentines circle released pre-movie and groaned as I worked out that they already had it all wrong.  You know the stereotypical dark-haired psychopath on the right?  He's supposed to have hair so blonde its silver.

Thus I didn't have high expectations for this movie. I've already seen plenty of examples of beautiful books having their storylines shredded into irretrievable pieces (Eragon) but even the beginning had me riled.
After reading reviews on rotten tomatoes averaging 12% I saw how the opening scene immediately put everyone to sleep. Its so sad considering the book started inside the night club Pandemonium and in the first few pages already invisible people were stabbing a demon which then disappeared into thin air. Whoever wrote this script didn't want to "trust the intelligence of the audience" and instead tried to tell us everything we needed to know about Clary's mundane life in the first five minutes. In my opinion the audience needn't know any more than Clary does.

Hear this movie producers…
Its called suspense.

And then she goes to an awful poetry reading for no other apparent purpose but to show that Simon has feelings for her that she doesn't return. As if the audience hasn't already caught onto that… Clary: "He's not my boyfriend" Jace: "Does he know that?" Her mum happens to bring it up as well...

Personally I prefer  the amusing and yet elusive quotes that the book gave us "I was laughing because declarations of love amuse me, especially when unrequited… And because your friend Simon is one of the most mundane mundanes I've ever encountered." As Jace so eloquently puts it.

You see that movie producers… It's called subtlety.

But instead you've chosen here to hit us in the head with your movie like the shovel that Simon inexplicably pulled from behind a gate in your movie.

Well I've raved madly about the beginning now here's the next top ten things that irked me about this movie.

1. It would be nice if people who are supposed to be New Yorkians (Jace and Jocelyn) didn't speak in an english accent: it doesn't make sense. Luckily enough- with my knowledge of the books I rationalised that they merely had the accent of Idris (though Idris is somwhere in the middle of Europe so a Swiss accent may have made more sense){not that I don't appreciate British accents of course but CONTEXT!}

2. Oh yeah and that brings me back to the start of the movie- Clary, who has lived in New York all her life somehow cannot manage to run along a footpath with one person riding a bike on it without running into them. And then she runs into two cars o.O. This girl is supposed to be pure blood shadow hunter (i.e. she has better strength and agility than normal and did I mention she has lived in Brooklyn her entire life?)

3. There is no portal at the institute. For those who care, in the books there are two types of portals: magic users (like Mangus Bane the warlock)can make temporary ones or otherwise you use a fixed portal. There are two of these that we know of: In the witches house underneath Clary's apartment and Valentine's mirror which works as a portal to Idris. In the first book both of these are used but does the institute have a portal? Nuh-uh :\

4. Portals are not made of some substance that you can take out and then stroke or punch people through. Maybe I would have forgiven #3 if they didn't break the rules for no apparent reason.

5. Valentines associates, Blackwell and whatever-his-name-is, turn up way too much and are supposed to be wearing weird robes.

6. The fight scenes were

• Too dark
• Too disjointed with too many characters
• Too long
In the vampire fights scene at Hotel DuMort, for example. (though the entire scene may have been skipped considering their lead up was terrible) Firstly they were running around a hotel full of vampires and all I could see were flashes of light and darkness. That ISN'T suspenseful, its just annoying.

Secondly of course it was too confusing for only Jace and Clary to go in alone (as our original author Ms Clare wrote) so instead we'll send them all in and have a fight scene that flicks through confusing close ups across twenty characters. I suppose it gave the boys in the audience their fight scenes and yet it went on too long. Having read the book I just ended up saying "hurry up and cue werewolves, get me outta this hotel".

7. Demons cannot enter the grounds of the institute. The whole point is that the institutes are built on holy ground- even vampires cannot enter them. Even the characters in the movie state this.

8. Valentine wasn't even supposed to summon any demons- he made Forsaken, humans given shadow hunter runes to drive them crazy. These were supposed to fight the werewolves in the end. Of course I do realise that introducing this new species might be a little too much for this movie, what with vampires, werewolves and demons...

9. The final battle should NOT have been at the institute, thus #7 could be fixed. It was at a mansion on an island in the middle of the river. Also Isabelle and Simon were not present and thus most terrible parts of the fight scenes #6 could have been fixed- eliminating the excess characters from ridiculous plot ties. But you know we've seen this annoying plot simplification in Tomorrow when the war began too.

10. Pure blood shadowhunters(such as Clary because her mum and dad were both shadowhunters) do not need to drink from the mortal cup. The cup turns HUMANS into shadowhunters. If Clary is already a shadowhunter why is Valentine (who is her dad and should know this) trying to make her drink from it?

So there are hundreds of deviations and logic defying details in this movie which infuriate those who have read and understand the books. It feels as though the rules of the world have been broken irreparably and everyone knows that supernatural things need to have rules and limits or it just defies all logic (don't even get me started on the logic of twilight).

But hey, the books DO make sense and I only love them more because I know that they must be perfect the way they are.